Creative Technologist · Musical Systems · Spatial Play
👋 I’m Antony Nascè: a composer, sound designer and product developer building audiovisual systems, browser-based music tools and spatial computing prototypes through 5of12.
Selected work
2024–present
WebMIDI browser for Apple devices
A dedicated browser for WebMIDI experiences across iOS, iPadOS, macOS and visionOS. Built around virtual MIDI routing and browser-native music tools.
2024–present
Infinite canvas for music ideas
A collaborative space for pre-production: audio references, comments, tasks, WebAudio experiments and musical idea development before the DAW.
2025–present
Music in Pieces
A musical puzzle game for WebXR and desktop, designed around playful interactions, quick musical feedback and accessible music-making mechanics.
ongoing
Spatial instruments and interaction systems
Experiments in hand tracking, haptics, physical modelling and novel musical interfaces across Unity, Apple platforms and the web.
Prototype links
5of12/Pulse
Audio-reactive and interaction-led prototype work from 5of12.
5of12/Augment
Spatial computing and augmentation experiments for real-world interfaces.
5of12/PocketOperations
Compact operational tooling and mobile-first interaction experiments.
5of12/MIDIWeb-Hub
A curated hub for WebMIDI tools, experiments and browser-based music experiences.
Media
YouTube playlist
Sketches, prototypes and experiments from audiovisual product development work.
Practice
Co-founder and Product Director of a creative technology studio working across spatial interaction, haptics, audio technology and rapid software prototyping.
Earlier work at The Foundry shaped my approach to image processing, creative pipelines and professional software tools for artists.
Resident at Bristol’s creative technology hub, developing work around spatial computing, musical interfaces and accessible creative technology.
Co-founder of an electronic music open mic night supporting grassroots synth culture, performance and experimentation.
Life is short. Let's Play More.